j'écris + je crie — a splited score inspired by C.Sch.
performance
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concept | performance
Dorothea Rust
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movable material
various dresses and curtains | mink fur collars | fox fur tail | white and brown rabbit fur | goat fur | knitted woollen ribbon | blue mercerie ribbon | bamboo sticks and wooden sticks | felt tip pens | 6 bottles of solid paint (red, green, yellow, blue, black, white) | several brushes in different sizes | make-up paint | several metres of wrapping paper | glitter | apples | cherry tomatoes | chewing gum | 1 ladder | 1 box of collected art invitation cards | approx. 25 m2 of white paper glued to the floor
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3 scores
by Carolee Schneemann "Chromelodeon, 4th Concretion, 1963", further edited for performance by me: divided into two parts, "Chromelodeon executed" and "Chromelodeon not executed"
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sound collage (all material from youtube or itunes)
eRikm & Fennesz, 2003 | Luc Ferrarai - Hétérozygote - 1963-64 | barrel organ and hurdy-gurdy music | Carolee Schneemann, Viet Flakes, 1965, soundtrack by James Tenney | James Tenney Collage #1, "Blue Suede" (1961) | Johann Sebastian Bach: Prelude and Fugue in E minor | excerpt from performance «Meat Joy» (1964) by Carolee Schneemann, soundtrack
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song
«All my love» (1963) by the Beatles
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length
approx. 40 min.
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place | date
«Performance Schreiben»
an exhibition project by Sibylle Omlin
Kunstraum Kreuzlingen
15 April—1 May 2016
performance Dorothea: 30 April 2016 -
group exhibition
Apresperf – Andrea Saemann | David Bonvin | Hanne Darboven | Esther, Ferrer | Camille Kaiser/Lara Paratte | Petra Koehle/Nicolas Vermot-Petit-Outhenin | Davor Ljubicic | Marion Ritzmann | Dorothea Rust | Christoph Rütimann | Salon Nomade Archive | Martina-Sofie Wildberger | Gernot Wieland and others
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performances
Christoph Rütimann | David Bonvin | Dorothea Rust
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curated | organised
Sibylle Omlin