Bär + Mineral Animation
Nairs in movimaint — PANCH residency and collaborative performances
* 1—4 fromt the script and action panels | 5 photos of performance © Simon Fuchs *
scenario and its material
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Clothing: ski pants, fur cap, fur wristlets tied to yellow cords, big gloves, mountain shoes, woolen scarf, ski googles, teddy bear. I can stick my hands into the teddy bear's arms, where I keep them throughout the performance. I am holding items and shaking hands with the audience with the teddy bear's paw.
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We are awaiting the audience on the snow covered 'disappeared' former tennis court; Milenko is leading the audience to this place. I swing a long branch with a flag made of text-panels, Leo's tuba is 'sitting' in the snow and shining golden. When the audience arrives I am starting with the subtext in German:
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Bär + Mineral, this you'll find not everywhere
The bear was once upon a time native here, not only as a heraldic animal ….
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Information about movement types and action rates of the immigrated bears, which I am reading from the flag-panel:
JJ2 or Lumpaz came in July 2005 into Switzerland over the Ofenpass. He was said to be missing, he was probably poached.
JJ3 immigrated in summer 2007 into Switzerland and stayed over winter in the Albulatal, and afterwards too often had approached settlements …
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Leo tells about the instructions, how to behave in case they would come across a bear, with which in 2009 all the stipendiaries were informed
With him we are singing the song of the bear...
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Dorothea provides Informationen about the ’biology’ of the bear:
The bear is classified as coniform, or doglike carnivoran. He is related with seal, marten, wolf and skunk
He is a loner, crepuscular and nocturnal …
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We set out to find the disappeared tennis court, which was once here, in the golden spa tourisme times:
With three fields
Belonging to the (former) Kurhaus (spa building) Tarasp
At the time experiences phenomenal times
With a lot of matches …
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I hand out spoons to the audience members and ask them to shovel the snow to the side and dig for traces of the floor of the tennis court.
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Afterwards we go together from the former tennis court over the bridge of the Inn to the Kurshaus. I ask the audience member to make noise (because of the bear) with the spoons, and to keep singing, further back in direction to the Zentrum für Gegenwartskunst and I keep narrating:
The bear hunt back then was not only normal but virutally desired
Bonus scheme should have been paid by the Canton ...
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Futher on from the former Kurshaus (spa hotel) through the garden to the wellspring next to the house of the Zentrum für Gegenwartskunst:
Here at this point/spot was once upon a time in 1989 a wellspring, each morning we, the stipendiates, filled a mug with heavily mineralised water
Directly from the tap without a spoon
It could have been Funtana Ursus
The disappeared one ...
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full script ... action panels